Joyce Kozloff’s Patterns of Resistance

time:2024-12-22 11:12:36 edit: Source:

Posted inPodcast

Joyce Kozloff’s Patterns of Resistance

The feminist artist reflects on her work in the groundbreaking Pattern and Decoration Movement, her grand public artwork, and continued political activism against war and misogyny. Avatar photoby Hyperallergic
Joyce Kozloff, “Iran Afghanistan” (2023), acrylic on canvas, 5 x 5 feet (~1.5 x 1.5 m) (image courtesy the artist), overlaid with a portrait of Joyce Kozloff (photo Hrag Vartanian/Hyperallergic)

Subscribe to our newsletter

Or Sign in to an existing account

Privacy Policy

Success! Your account was created and you’re signed in.
Please visit My Account to verify and manage your account.

An account was already registered with this email. Please check your inbox for an authentication link.

Get the latest art news, reviews and opinions from Hyperallergic.

Joyce Kozloff, “Three Facades” (1973), acrylic on canvas, 78 x 60 inches (~2 x 1.5 m) (image courtesy the artist)

Luckily, Kozloff’s career wasn’t up to Clement Greenberg. Kozloff went on to have dozens of shows, beautify over a dozen buildings and transit systems with public artworks over the decades, and inspire new generations of artists to unabashedly lean into ornament. Once an active member of the peace protests of the 1960s, she has also continued her political activism, which in the 21st century has become more explicit in her work. Her all-over pattern paintings have morphed into detailed maps, from Civil War battle plans exploding with viruses to aeronautical charts dotted with points that the United States has bombed. 

Joyce Kozloff, “Battle of Appomattox Court House” (2021), acrylic on canvas, 34 x 42 1/2 inches (~86.4 x 108 cm) (image courtesy the artist)

In this episode of the Hyperallergic Podcast, you’ll hear the interview our Editor-in-Chief Hrag Vartanian recorded with Kozloff in 2021, just after the opening of With Pleasure: Pattern and Decoration in American Art 1972–1985 at Bard College’s Hessel Museum of Art, which the institution called “first full-scale scholarly North American survey” of the P&D movement. They talk about everything from her mother’s embroidery to her travels in Turkey and Iran that inspired her art. You’ll also hear from HyperallergicStaff Writer Maya Pontone, who reported this past year about Kozloff’s iconic public artwork in Cambridge’s Harvard Square train station that’s currently at risk of disappearing. And if you’ve been listening closely this season, you’ll recognize some recurring characters: Columbia professor Stephen Greene; the Heresies collective; Joyce’s partner, writer Max Kozoff, and; of course, Clement Greenberg. 

Works from three of Kozloff’s latest series, Uncivil Wars, Boys’ Art, and Social Studies, are on view in the Map Room at Argosy Book Store (116 East 59th Street, Upper East Side, Manhattan) through January 25, 2025. 

Subscribe to Hyperallergic on Apple Podcasts, and anywhere else you listen to podcasts. Listen to the conversation along with images of the artworks on YouTube.

Become a member
  • ShareCopied to clipboard
  • Mail
  • Bluesky
  • Threads
  • LinkedIn
  • Facebook