The Emotional Valences of Brutalism
Historically, cinema has invoked the architectural movement as an easy shorthand for villainy. In The Brutalist, though, it embodies a proletarian dream.
by Dan Schindel 
Subscribe to our newsletter
Or Sign in to an existing accountPrivacy Policy
Success! Your account was created and you’re signed in.
Please visit My Account to verify and manage your account.
An account was already registered with this email. Please check your inbox for an authentication link.
We hope you enjoyed this article! Before you keep reading, please consider supporting Hyperallergic’s journalism during a time when independent, critical reporting is increasingly scarce.
Unlike many in the art world, we are not beholden to large corporations or billionaires. Our journalism is funded by readers like you, ensuring integrity and independence in our coverage. We strive to offer trustworthy perspectives on everything from art history to contemporary art. We spotlight artist-led social movements, uncover overlooked stories, and challenge established norms to make art more inclusive and accessible. With your support, we can continue to provide global coverage without the elitism often found in art journalism.
If you can, please join us as a member today.Millions rely on Hyperallergicfor free, reliable information. By becoming a member, you help keep our journalism free, independent, and accessible to all. Thank you for reading.
Become a member